Saha Tv

Mol squandered no time acquainting us with the principle characters and their differentiating lives. Shehreyaar (Faisal Qureshi) is to a thirty something lone ranger living with his guardians (Nadeem and Ismat Zaidi). From the get go, we get the opportunity to sense this father-child twosome are at loggerheads. Daddy can't acknowledge that his developed child is qualified for settling on his own choices and every one of those years of control have prompted his child separating himself from his gang. To aggravate matters, he has organized Shehreyaar's shaadi with his much more youthful niece Sajjal (Iqra). One take a gander at Sajjal and you'd be compelled to ponder which period she has a place with. Why is this really looking young lady squandering her life pining for a much more established man who plainly has no enthusiasm for her? Much before she was conceived, her Taya guaranteed he would make her his Bahu… 

At that point we have Emaan (Naveen Waqar) who lives with her guardians and sister in Sakhhar. Emaan is an in number, certain lady, not reluctant to talk her brain and she lives up to expectations with youngsters with unique needs. I felt her supper table discussions were excessively fake- we could've effortlessly managed without them. Shereyaar asks for an exchange to Sakhhar to escape his crew. As a Deputy Commissioner, he is welcome to the school where Emaan shows and builds up a moment loving for her. We should perceive how their relationship creates.

For a first scene, things were all around paced. I like how we are seeing shows situated in different urban areas in Pakistan. There's no deficiency of excellent areas in Pakistan and its an invigorating change to see that in our dramatizations. Despite the fact that the characters have been settled, I didn't take a moment jumping at the chance to anybody. I believe its too soon for forecasts however I'm simply fearing this transforming into another dosri biwi show.

Mol squandered no time acquainting us with the principle characters and their differentiating lives. Shehreyaar (Faisal Qureshi) is to a thirty something lone ranger living with his guardians (Nadeem and Ismat Zaidi). From the get go, we get the opportunity to sense this father-child twosome are at loggerheads. Daddy can't acknowledge that his developed child is qualified for settling on his own choices and every one of those years of control have prompted his child separating himself from his gang. To aggravate matters, he has organized Shehreyaar's shaadi with his much more youthful niece Sajjal (Iqra). One take a gander at Sajjal and you'd be compelled to ponder which period she has a place with. Why is this really looking young lady squandering her life pining for a much more established man who plainly has no enthusiasm for her? Much before she was conceived, her Taya guaranteed he would make her his Bahu… 

At that point we have Emaan (Naveen Waqar) who lives with her guardians and sister in Sakhhar. Emaan is an in number, certain lady, not reluctant to talk her brain and she lives up to expectations with youngsters with unique needs. I felt her supper table discussions were excessively fake- we could've effortlessly managed without them. Shereyaar asks for an exchange to Sakhhar to escape his crew. As a Deputy Commissioner, he is welcome to the school where Emaan shows and builds up a moment loving for her. We should perceive how their relationship creates.

For a first scene, things were all around paced. I like how we are seeing shows situated in different urban areas in Pakistan. There's no deficiency of excellent areas in Pakistan and its an invigorating change to see that in our dramatizations. Despite the fact that the characters have been settled, I didn't take a moment jumping at the chance to anybody. I believe its too soon for forecasts however I'm simply fearing this transforming into another dosri biwi show.

Mol squandered no time acquainting us with the principle characters and their differentiating lives. Shehreyaar (Faisal Qureshi) is to a thirty something lone ranger living with his guardians (Nadeem and Ismat Zaidi). From the get go, we get the opportunity to sense this father-child twosome are at loggerheads. Daddy can't acknowledge that his developed child is qualified for settling on his own choices and every one of those years of control have prompted his child separating himself from his gang. To aggravate matters, he has organized Shehreyaar's shaadi with his much more youthful niece Sajjal (Iqra). One take a gander at Sajjal and you'd be compelled to ponder which period she has a place with. Why is this really looking young lady squandering her life pining for a much more established man who plainly has no enthusiasm for her? Much before she was conceived, her Taya guaranteed he would make her his Bahu… 

At that point we have Emaan (Naveen Waqar) who lives with her guardians and sister in Sakhhar. Emaan is an in number, certain lady, not reluctant to talk her brain and she lives up to expectations with youngsters with unique needs. I felt her supper table discussions were excessively fake- we could've effortlessly managed without them. Shereyaar asks for an exchange to Sakhhar to escape his crew. As a Deputy Commissioner, he is welcome to the school where Emaan shows and builds up a moment loving for her. We should perceive how their relationship creates.

For a first scene, things were all around paced. I like how we are seeing shows situated in different urban areas in Pakistan. There's no deficiency of excellent areas in Pakistan and its an invigorating change to see that in our dramatizations. Despite the fact that the characters have been settled, I didn't take a moment jumping at the chance to anybody. I believe its too soon for forecasts however I'm simply fearing this transforming into another dosri biwi show.

"Paiwand" is an account of an additional standard young lady, Saniya and her widow mother Tabassum, who gets hitched to Mr. Malik leaving Saniya on the leniency of her uncle. Saniya raised by her uncle alone, needs to turn into a free and commonsense young lady. She begins working from extremely young age to dispose of her step father's compassion budgetary backing.

In spite of the fact that secret of fate unfolds new plans for her. As Malik's girl  (Maya) flees with her sweetheart on the day of her wedding, Saniya is compelled to get hitched rather than her. Saniya spares the pride of her step father by wedding Hassam, going about as a substitution or " Paiwand ".

The leads are Wali and Farah and they are both cousins (fatherly cousins). When her uncle (father's sibling) bites the dust, Farah's dad in an exceptionally passionate state pressurizes her wife and little girl to consent to Farah's marriage with Wali (Farah is 18 years of age) since it was his sibling's heart felt wish. Wali and Farah both get hitched and they scarcely no one another in light of the fact that their granddad never acknowledged Farah's mom as his little girl in law and they never lived in the same house as their uncle and granddad. Th ruksati should be after a couple of years when Farah turns into a specialist…  Years pass and Farah never acknowledges her connection with Wali and needs to end it and she just finds the opportunity after her dad passes away. She is keen on her maternal cousin who additionally happens to be her closest companion. She treats Wali pretty seriously.. I feel for the poor fellow. Anyhow, he is inflexible not to issue her a separatio.

The leads are Wali and Farah and they are both cousins (fatherly cousins). When her uncle (father's sibling) bites the dust, Farah's dad in an exceptionally passionate state pressurizes her wife and little girl to consent to Farah's marriage with Wali (Farah is 18 years of age) since it was his sibling's heart felt wish. Wali and Farah both get hitched and they scarcely no one another in light of the fact that their granddad never acknowledged Farah's mom as his little girl in law and they never lived in the same house as their uncle and granddad. Th ruksati should be after a couple of years when Farah turns into a specialist…  Years pass and Farah never acknowledges her connection with Wali and needs to end it and she just finds the opportunity after her dad passes away. She is keen on her maternal cousin who additionally happens to be her closest companion. She treats Wali pretty seriously.. I feel for the poor fellow. Anyhow, he is inflexible not to issue her a separatio.

Jugnoo rotates around the hero character Jugnoo played by the ever energetic Yamna Zaidi, who as seen in the first scene is by all accounts a glad and cheery young lady who moves around like a free fledgling. It would seem that from the pilot scene as though the main thing she needs right then and there was to escape from her stuck up life. Also, the main way out for her is getting hitched.

On the other side we additionally have Zahid Ahmed all the more broadly known for his characters in Mehram in Alvida both of which are HUM TV ventures. His character is by all accounts all the more on the experienced and unpretentious side when contrasted with Yamna's. This fellow is rich and instructed who now live in his other house at a spot perhaps close-by Jugnoo's. The two haven't met up 'til now in the first scene. However, we realize that they are intended to appear to be every the promos.

Jugnoo is energetic to get hitched as quickly as time permits to escape from the grasp of her covetous Khalaas who are continually floating her around. Well the scene finished at the note when she communicated about her craving to Munshi Jee a.k.a. Bakhshi Sahab and requesting that he discover her a man to get married with. Presently how about we see who she gets hitched to in such a bother in the following scene as it will be fascinating.

Jugnoo rotates around the hero character Jugnoo played by the ever energetic Yamna Zaidi, who as seen in the first scene is by all accounts a glad and cheery young lady who moves around like a free fledgling. It would seem that from the pilot scene as though the main thing she needs right then and there was to escape from her stuck up life. Also, the main way out for her is getting hitched.

On the other side we additionally have Zahid Ahmed all the more broadly known for his characters in Mehram in Alvida both of which are HUM TV ventures. His character is by all accounts all the more on the experienced and unpretentious side when contrasted with Yamna's. This fellow is rich and instructed who now live in his other house at a spot perhaps close-by Jugnoo's. The two haven't met up 'til now in the first scene. However, we realize that they are intended to appear to be every the promos.

Jugnoo is energetic to get hitched as quickly as time permits to escape from the grasp of her covetous Khalaas who are continually floating her around. Well the scene finished at the note when she communicated about her craving to Munshi Jee a.k.a. Bakhshi Sahab and requesting that he discover her a man to get married with. Presently how about we see who she gets hitched to in such a bother in the following scene as it will be fascinating.

Yousuf sees Zulekha in a train for the first run through and is not able to get her crazy. Zulekha, stuck in the middle of the recommendations of her cousins that are conceal by the individual investments of her guardians, finds Yousuf by and by who is apparently enamored with her. What Zulekha feels for Yousuf is simply transient fascination as she realizes that her marriage has been altered, however Yousuf is conspicuous and expressive about his affections for her. Will destiny unite the adventure of these two outsiders who had incidentally met in view of a train travel or will Zulekha fall prey to the aims of her guardians?

Yousuf sees Zulekha in a train for the first run through and is not able to get her crazy. Zulekha, stuck in the middle of the recommendations of her cousins that are conceal by the individual investments of her guardians, finds Yousuf by and by who is apparently enamored with her. What Zulekha feels for Yousuf is simply transient fascination as she realizes that her marriage has been altered, however Yousuf is conspicuous and expressive about his affections for her. Will destiny unite the adventure of these two outsiders who had incidentally met in view of a train travel or will Zulekha fall prey to the aims of her guardians?

Kaise Hoye Benaam is an idea that spins around the lamentable truth of the general public that is lady makes the house a home yet she doesn't have her very own home. The story starts on a cheerful note where Shehrina (Maria Wasti) is hitched to a wealthy man and has a sumptuous live style. They have a flawless girl Rania (Neelum Munir) however shockingly because of a mishap Sheheryaar passes away. Shehrina's (Maria Wasti) life takes a 360 degree turn when her relative requests her to go out on the grounds that she think of her as doomed. In a hopeless state, Shehrina with her girl Rania returns to her mother's home where her sibling and savvy sister-in-law is not ready to shoulder their obligation so makes a shrewd arrangement to get Shehrina (Maria) wedded to Faris (Noman Ejaz). Faris (Noman Ejaz) is a rude, voracious and ravenous individual. At the end of the day Shehrina's (Maria Wasti) life is in a condition of troubled. Faris an insatiable character comes to know of Rania's riches (that her dad left for the girl) and arrangements to grab hold of his step girl's riches for his individual focal point. Shehrina and Faris had a girl they could call their own yet Shehrina is not permitted to make it clear that Rania is her own girl. This condition of anguish and torment proceeds for both mother and little girl. This story holds a ton of severe substances for its viewers and unfolds the misfortune and disaster that a lady needs to face however every cloud has a silver coatin.

"Paiwand" is an account of an additional standard young lady, Saniya and her widow mother Tabassum, who gets hitched to Mr. Malik leaving Saniya on the leniency of her uncle. Saniya raised by her uncle alone, needs to turn into a free and commonsense young lady. She begins working from extremely young age to dispose of her step father's compassion budgetary backing.

In spite of the fact that secret of fate unfolds new plans for her. As Malik's girl  (Maya) flees with her sweetheart on the day of her wedding, Saniya is compelled to get hitched rather than her. Saniya spares the pride of her step father by wedding Hassam, going about as a substitution or " Paiwand ".

The leads are Wali and Farah and they are both cousins (fatherly cousins). When her uncle (father's sibling) bites the dust, Farah's dad in an exceptionally passionate state pressurizes her wife and little girl to consent to Farah's marriage with Wali (Farah is 18 years of age) since it was his sibling's heart felt wish. Wali and Farah both get hitched and they scarcely no one another in light of the fact that their granddad never acknowledged Farah's mom as his little girl in law and they never lived in the same house as their uncle and granddad. Th ruksati should be after a couple of years when Farah turns into a specialist…  Years pass and Farah never acknowledges her connection with Wali and needs to end it and she just finds the opportunity after her dad passes away. She is keen on her maternal cousin who additionally happens to be her closest companion. She treats Wali pretty seriously.. I feel for the poor fellow. Anyhow, he is inflexible not to issue her a separatio.

The leads are Wali and Farah and they are both cousins (fatherly cousins). When her uncle (father's sibling) bites the dust, Farah's dad in an exceptionally passionate state pressurizes her wife and little girl to consent to Farah's marriage with Wali (Farah is 18 years of age) since it was his sibling's heart felt wish. Wali and Farah both get hitched and they scarcely no one another in light of the fact that their granddad never acknowledged Farah's mom as his little girl in law and they never lived in the same house as their uncle and granddad. Th ruksati should be after a couple of years when Farah turns into a specialist…  Years pass and Farah never acknowledges her connection with Wali and needs to end it and she just finds the opportunity after her dad passes away. She is keen on her maternal cousin who additionally happens to be her closest companion. She treats Wali pretty seriously.. I feel for the poor fellow. Anyhow, he is inflexible not to issue her a separatio.

Mazaq Raat is an amusing political satire show introduced by Dunya News. Mazaq Raat is host by Pakistan Television top performing artist and now stay Nauman Ijaz. Mazaaq Raat is clone project of Khabarnaak of GEO News.

Nauman Ijaz was first time seen as grapple of TV.

Aliya is the most sad young lady on this planet.. Only one night prior to she was getting hitched; a few robbers went into her home and victimized everything; her joy, soul, pride and her entitlement to be alive. Regardless of the fact that Aliya's guardians would have acknowledged and upheld her; this general public wouldn't have!!

Mustafa is Aliya's specialist, he is attempting his best to take her out from where she is been covered alive and he will bolster her till the end. Shayan is Mustafa's more youthful sibling and he adores Aliya a great deal, he is exceptionally possessive about her he can do anything to make her his own. Aliya's closest companion Sonia was with her in the same house that night; she was there to commend their companionship on her last wedding night yet.. like her, after that episode no one believed her.. they were announced as debased elements and their just blame is that they are ladies.

Sonia's guardians think this was her discipline on the grounds that little girls are not assume to live with flexibility and when they decide to live unreservedly such occurrence happens..! In spite of the fact that Asad acknowledged her as his wife after that occurrence however neglected to trust her and from that point forward they are looking for their joy, for their self-regard, for motivation to grin and in particular for their entitlement to live.

Generally we are simply acquainted with characters and demonstrated two distinct family units with altogether different arrangement of qualities and tenets. Hamza (Adnan) is an exceptionally develop and grounded man, resolved to assist his family from the monetary emergency they are in. Hania (Armeena) then again doesn't have any such issue. They appear to be extremely well to do and each and every individual alludes to themselves as *hum*. I didn't know individuals still talk like that. Her father appears to have not a lot to do aside from taking care of the prosperity of his wife and girl and setting them up crisp beverages in the morning. Another eye opener that men like despite everything him exist.

A crisp breath was the way Saba Faisal was so natural on her girl in law as well; doesn't worry about her sitting in front of the TV as opposed to cooking. An altogether different situation from normal dramatizations. So happy about it.

Hania's companion Noor ul Ain is Hamza's more youthful sister and the careful inverse of Hania. While we saw Hania all over like on the trees, in the recreation center, on the rooftop, at her companion's patio, Ainaa is discovered either in the kitchen or somewhere else in the house cleaning.

In spite of every one of these distinctions, Hania is all that much charmed by Hamza who is slightest made a fuss over this. He needs a developed, sensible, mindful and homemaking lady, none of which can be said in regards to Hania so we can rightfully anticipate the inconvenience that is impending both their routes as the play will unfold.

Generally we are simply acquainted with characters and demonstrated two distinct family units with altogether different arrangement of qualities and tenets. Hamza (Adnan) is an exceptionally develop and grounded man, resolved to assist his family from the monetary emergency they are in. Hania (Armeena) then again doesn't have any such issue. They appear to be extremely well to do and each and every individual alludes to themselves as *hum*. I didn't know individuals still talk like that. Her father appears to have not a lot to do aside from taking care of the prosperity of his wife and girl and setting them up crisp beverages in the morning. Another eye opener that men like despite everything him exist.

A crisp breath was the way Saba Faisal was so natural on her girl in law as well; doesn't worry about her sitting in front of the TV as opposed to cooking. An altogether different situation from normal dramatizations. So happy about it.

Hania's companion Noor ul Ain is Hamza's more youthful sister and the careful inverse of Hania. While we saw Hania all over like on the trees, in the recreation center, on the rooftop, at her companion's patio, Ainaa is discovered either in the kitchen or somewhere else in the house cleaning.

In spite of every one of these distinctions, Hania is all that much charmed by Hamza who is slightest made a fuss over this. He needs a developed, sensible, mindful and homemaking lady, none of which can be said in regards to Hania so we can rightfully anticipate the inconvenience that is impending both their routes as the play will unfold.

The story starts with Haya (Sanam Jung) who's imparting her fervor to her closest companion, Fareeza (Sara Khan) over her cousin Haadi's (Imran Abbass) return. Haadi was away in London, and after that Somalia before making his last stop in Karachi. Haya was raised by Haadi's guardians  who additionally happen to be her Taaya and Taayi. Haya and Haadi grew up together and were truly close- while Haadi treated her like a younger sibling and companion, Haya confused his love for adoration and wound up longing for the day he would wed her. Fareeza claims to appreciate Haya's stories of her uneven adoration story however holds resentment against Haya since she has carried on with a spoiled life. Haya is presented as being self-ingested (I want to be a chichoori) and preposterous and the vicinity of the house-help who always help her to remember her honay wala shohar and shaadi ke gaaney just humor her further. Despite the fact that Haadi thinks profoundly about Haya, he has no sentimental slants and both of them are shafts separated kahan wohh duffer aur kahan wohh specialist! So in the wake of living abroad for a long time, Haadi is back to his country to deal with his dad's healing facility. Be that as it may his purpose behind returning is two-fold; he means on wedding his cousin Uroosa (Naveen Waqar) who has been his wellspring of quality and steady bolster while he was away. Uroosa is the little girl of Haadi's Chacha yet they have a place with a much lower social class. Uroosa has been instrumental in helping Haadi attain to his fantasies and both of them have stayed in touch throughout the years. It was pleasant to see Naveen Waqar in a straightforward part in the wake of playing the home-wrecker Sara in Humsafar. Haadi is courageous by their disparities and as Uroosa puts it, he is iss daur ka Buddah- somebody who looks for profound illumination over material belonging.

The story starts with Haya (Sanam Jung) who's imparting her fervor to her closest companion, Fareeza (Sara Khan) over her cousin Haadi's (Imran Abbass) return. Haadi was away in London, and after that Somalia before making his last stop in Karachi. Haya was raised by Haadi's guardians  who additionally happen to be her Taaya and Taayi. Haya and Haadi grew up together and were truly close- while Haadi treated her like a younger sibling and companion, Haya confused his love for adoration and wound up longing for the day he would wed her. Fareeza claims to appreciate Haya's stories of her uneven adoration story however holds resentment against Haya since she has carried on with a spoiled life. Haya is presented as being self-ingested (I want to be a chichoori) and preposterous and the vicinity of the house-help who always help her to remember her honay wala shohar and shaadi ke gaaney just humor her further. Despite the fact that Haadi thinks profoundly about Haya, he has no sentimental slants and both of them are shafts separated kahan wohh duffer aur kahan wohh specialist! So in the wake of living abroad for a long time, Haadi is back to his country to deal with his dad's healing facility. Be that as it may his purpose behind returning is two-fold; he means on wedding his cousin Uroosa (Naveen Waqar) who has been his wellspring of quality and steady bolster while he was away. Uroosa is the little girl of Haadi's Chacha yet they have a place with a much lower social class. Uroosa has been instrumental in helping Haadi attain to his fantasies and both of them have stayed in touch throughout the years. It was pleasant to see Naveen Waqar in a straightforward part in the wake of playing the home-wrecker Sara in Humsafar. Haadi is courageous by their disparities and as Uroosa puts it, he is iss daur ka Buddah- somebody who looks for profound illumination over material belonging.

Jugnoo rotates around the hero character Jugnoo played by the ever energetic Yamna Zaidi, who as seen in the first scene is by all accounts a glad and cheery young lady who moves around like a free fledgling. It would seem that from the pilot scene as though the main thing she needs right then and there was to escape from her stuck up life. Also, the main way out for her is getting hitched.

On the other side we additionally have Zahid Ahmed all the more broadly known for his characters in Mehram in Alvida both of which are HUM TV ventures. His character is by all accounts all the more on the experienced and unpretentious side when contrasted with Yamna's. This fellow is rich and instructed who now live in his other house at a spot perhaps close-by Jugnoo's. The two haven't met up 'til now in the first scene. However, we realize that they are intended to appear to be every the promos.

Jugnoo is energetic to get hitched as quickly as time permits to escape from the grasp of her covetous Khalaas who are continually floating her around. Well the scene finished at the note when she communicated about her craving to Munshi Jee a.k.a. Bakhshi Sahab and requesting that he discover her a man to get married with. Presently how about we see who she gets hitched to in such a bother in the following scene as it will be fascinating.

Jugnoo rotates around the hero character Jugnoo played by the ever energetic Yamna Zaidi, who as seen in the first scene is by all accounts a glad and cheery young lady who moves around like a free fledgling. It would seem that from the pilot scene as though the main thing she needs right then and there was to escape from her stuck up life. Also, the main way out for her is getting hitched.

On the other side we additionally have Zahid Ahmed all the more broadly known for his characters in Mehram in Alvida both of which are HUM TV ventures. His character is by all accounts all the more on the experienced and unpretentious side when contrasted with Yamna's. This fellow is rich and instructed who now live in his other house at a spot perhaps close-by Jugnoo's. The two haven't met up 'til now in the first scene. However, we realize that they are intended to appear to be every the promos.

Jugnoo is energetic to get hitched as quickly as time permits to escape from the grasp of her covetous Khalaas who are continually floating her around. Well the scene finished at the note when she communicated about her craving to Munshi Jee a.k.a. Bakhshi Sahab and requesting that he discover her a man to get married with. Presently how about we see who she gets hitched to in such a bother in the following scene as it will be fascinating.

Kaise Hoye Benaam is an idea that spins around the lamentable truth of the general public that is lady makes the house a home yet she doesn't have her very own home. The story starts on a cheerful note where Shehrina (Maria Wasti) is hitched to a wealthy man and has a sumptuous live style. They have a flawless girl Rania (Neelum Munir) however shockingly because of a mishap Sheheryaar passes away. Shehrina's (Maria Wasti) life takes a 360 degree turn when her relative requests her to go out on the grounds that she think of her as doomed. In a hopeless state, Shehrina with her girl Rania returns to her mother's home where her sibling and savvy sister-in-law is not ready to shoulder their obligation so makes a shrewd arrangement to get Shehrina (Maria) wedded to Faris (Noman Ejaz). Faris (Noman Ejaz) is a rude, voracious and ravenous individual. At the end of the day Shehrina's (Maria Wasti) life is in a condition of troubled. Faris an insatiable character comes to know of Rania's riches (that her dad left for the girl) and arrangements to grab hold of his step girl's riches for his individual focal point. Shehrina and Faris had a girl they could call their own yet Shehrina is not permitted to make it clear that Rania is her own girl. This condition of anguish and torment proceeds for both mother and little girl. This story holds a ton of severe substances for its viewers and unfolds the misfortune and disaster that a lady needs to face however every cloud has a silver coatin.

Yousuf sees Zulekha in a train for the first run through and is not able to get her crazy. Zulekha, stuck in the middle of the recommendations of her cousins that are conceal by the individual investments of her guardians, finds Yousuf by and by who is apparently enamored with her. What Zulekha feels for Yousuf is simply transient fascination as she realizes that her marriage has been altered, however Yousuf is conspicuous and expressive about his affections for her. Will destiny unite the adventure of these two outsiders who had incidentally met in view of a train travel or will Zulekha fall prey to the aims of her guardians?

Yousuf sees Zulekha in a train for the first run through and is not able to get her crazy. Zulekha, stuck in the middle of the recommendations of her cousins that are conceal by the individual investments of her guardians, finds Yousuf by and by who is apparently enamored with her. What Zulekha feels for Yousuf is simply transient fascination as she realizes that her marriage has been altered, however Yousuf is conspicuous and expressive about his affections for her. Will destiny unite the adventure of these two outsiders who had incidentally met in view of a train travel or will Zulekha fall prey to the aims of her guardians?

The story starts with Haya (Sanam Jung) who's imparting her fervor to her closest companion, Fareeza (Sara Khan) over her cousin Haadi's (Imran Abbass) return. Haadi was away in London, and after that Somalia before making his last stop in Karachi. Haya was raised by Haadi's guardians  who additionally happen to be her Taaya and Taayi. Haya and Haadi grew up together and were truly close- while Haadi treated her like a younger sibling and companion, Haya confused his love for adoration and wound up longing for the day he would wed her. Fareeza claims to appreciate Haya's stories of her uneven adoration story however holds resentment against Haya since she has carried on with a spoiled life. Haya is presented as being self-ingested (I want to be a chichoori) and preposterous and the vicinity of the house-help who always help her to remember her honay wala shohar and shaadi ke gaaney just humor her further. Despite the fact that Haadi thinks profoundly about Haya, he has no sentimental slants and both of them are shafts separated kahan wohh duffer aur kahan wohh specialist! So in the wake of living abroad for a long time, Haadi is back to his country to deal with his dad's healing facility. Be that as it may his purpose behind returning is two-fold; he means on wedding his cousin Uroosa (Naveen Waqar) who has been his wellspring of quality and steady bolster while he was away. Uroosa is the little girl of Haadi's Chacha yet they have a place with a much lower social class. Uroosa has been instrumental in helping Haadi attain to his fantasies and both of them have stayed in touch throughout the years. It was pleasant to see Naveen Waqar in a straightforward part in the wake of playing the home-wrecker Sara in Humsafar. Haadi is courageous by their disparities and as Uroosa puts it, he is iss daur ka Buddah- somebody who looks for profound illumination over material belonging.

The story starts with Haya (Sanam Jung) who's imparting her fervor to her closest companion, Fareeza (Sara Khan) over her cousin Haadi's (Imran Abbass) return. Haadi was away in London, and after that Somalia before making his last stop in Karachi. Haya was raised by Haadi's guardians  who additionally happen to be her Taaya and Taayi. Haya and Haadi grew up together and were truly close- while Haadi treated her like a younger sibling and companion, Haya confused his love for adoration and wound up longing for the day he would wed her. Fareeza claims to appreciate Haya's stories of her uneven adoration story however holds resentment against Haya since she has carried on with a spoiled life. Haya is presented as being self-ingested (I want to be a chichoori) and preposterous and the vicinity of the house-help who always help her to remember her honay wala shohar and shaadi ke gaaney just humor her further. Despite the fact that Haadi thinks profoundly about Haya, he has no sentimental slants and both of them are shafts separated kahan wohh duffer aur kahan wohh specialist! So in the wake of living abroad for a long time, Haadi is back to his country to deal with his dad's healing facility. Be that as it may his purpose behind returning is two-fold; he means on wedding his cousin Uroosa (Naveen Waqar) who has been his wellspring of quality and steady bolster while he was away. Uroosa is the little girl of Haadi's Chacha yet they have a place with a much lower social class. Uroosa has been instrumental in helping Haadi attain to his fantasies and both of them have stayed in touch throughout the years. It was pleasant to see Naveen Waqar in a straightforward part in the wake of playing the home-wrecker Sara in Humsafar. Haadi is courageous by their disparities and as Uroosa puts it, he is iss daur ka Buddah- somebody who looks for profound illumination over material belonging.

The story starts with Haya (Sanam Jung) who's imparting her fervor to her closest companion, Fareeza (Sara Khan) over her cousin Haadi's (Imran Abbass) return. Haadi was away in London, and after that Somalia before making his last stop in Karachi. Haya was raised by Haadi's guardians  who additionally happen to be her Taaya and Taayi. Haya and Haadi grew up together and were truly close- while Haadi treated her like a younger sibling and companion, Haya confused his love for adoration and wound up longing for the day he would wed her. Fareeza claims to appreciate Haya's stories of her uneven adoration story however holds resentment against Haya since she has carried on with a spoiled life. Haya is presented as being self-ingested (I want to be a chichoori) and preposterous and the vicinity of the house-help who always help her to remember her honay wala shohar and shaadi ke gaaney just humor her further. Despite the fact that Haadi thinks profoundly about Haya, he has no sentimental slants and both of them are shafts separated kahan wohh duffer aur kahan wohh specialist! So in the wake of living abroad for a long time, Haadi is back to his country to deal with his dad's healing facility. Be that as it may his purpose behind returning is two-fold; he means on wedding his cousin Uroosa (Naveen Waqar) who has been his wellspring of quality and steady bolster while he was away. Uroosa is the little girl of Haadi's Chacha yet they have a place with a much lower social class. Uroosa has been instrumental in helping Haadi attain to his fantasies and both of them have stayed in touch throughout the years. It was pleasant to see Naveen Waqar in a straightforward part in the wake of playing the home-wrecker Sara in Humsafar. Haadi is courageous by their disparities and as Uroosa puts it, he is iss daur ka Buddah- somebody who looks for profound illumination over material belonging.

The story starts with Haya (Sanam Jung) who's imparting her fervor to her closest companion, Fareeza (Sara Khan) over her cousin Haadi's (Imran Abbass) return. Haadi was away in London, and after that Somalia before making his last stop in Karachi. Haya was raised by Haadi's guardians  who additionally happen to be her Taaya and Taayi. Haya and Haadi grew up together and were truly close- while Haadi treated her like a younger sibling and companion, Haya confused his love for adoration and wound up longing for the day he would wed her. Fareeza claims to appreciate Haya's stories of her uneven adoration story however holds resentment against Haya since she has carried on with a spoiled life. Haya is presented as being self-ingested (I want to be a chichoori) and preposterous and the vicinity of the house-help who always help her to remember her honay wala shohar and shaadi ke gaaney just humor her further. Despite the fact that Haadi thinks profoundly about Haya, he has no sentimental slants and both of them are shafts separated kahan wohh duffer aur kahan wohh specialist! So in the wake of living abroad for a long time, Haadi is back to his country to deal with his dad's healing facility. Be that as it may his purpose behind returning is two-fold; he means on wedding his cousin Uroosa (Naveen Waqar) who has been his wellspring of quality and steady bolster while he was away. Uroosa is the little girl of Haadi's Chacha yet they have a place with a much lower social class. Uroosa has been instrumental in helping Haadi attain to his fantasies and both of them have stayed in touch throughout the years. It was pleasant to see Naveen Waqar in a straightforward part in the wake of playing the home-wrecker Sara in Humsafar. Haadi is courageous by their disparities and as Uroosa puts it, he is iss daur ka Buddah- somebody who looks for profound illumination over material belonging.

The leads are Wali and Farah and they are both cousins (fatherly cousins). When her uncle (father's sibling) bites the dust, Farah's dad in an exceptionally passionate state pressurizes her wife and little girl to consent to Farah's marriage with Wali (Farah is 18 years of age) since it was his sibling's heart felt wish. Wali and Farah both get hitched and they scarcely no one another in light of the fact that their granddad never acknowledged Farah's mom as his little girl in law and they never lived in the same house as their uncle and granddad. Th ruksati should be after a couple of years when Farah turns into a specialist…  Years pass and Farah never acknowledges her connection with Wali and needs to end it and she just finds the opportunity after her dad passes away. She is keen on her maternal cousin who additionally happens to be her closest companion. She treats Wali pretty seriously.. I feel for the poor fellow. Anyhow, he is inflexible not to issue her a separatio.

The leads are Wali and Farah and they are both cousins (fatherly cousins). When her uncle (father's sibling) bites the dust, Farah's dad in an exceptionally passionate state pressurizes her wife and little girl to consent to Farah's marriage with Wali (Farah is 18 years of age) since it was his sibling's heart felt wish. Wali and Farah both get hitched and they scarcely no one another in light of the fact that their granddad never acknowledged Farah's mom as his little girl in law and they never lived in the same house as their uncle and granddad. Th ruksati should be after a couple of years when Farah turns into a specialist…  Years pass and Farah never acknowledges her connection with Wali and needs to end it and she just finds the opportunity after her dad passes away. She is keen on her maternal cousin who additionally happens to be her closest companion. She treats Wali pretty seriously.. I feel for the poor fellow. Anyhow, he is inflexible not to issue her a separatio.

Mazaq Raat is an amusing political satire show introduced by Dunya News. Mazaq Raat is host by Pakistan Television top performing artist and now stay Nauman Ijaz. Mazaaq Raat is clone project of Khabarnaak of GEO News.

Nauman Ijaz was first time seen as grapple of TV.

Mazaq Raat is an amusing political satire show introduced by Dunya News. Mazaq Raat is host by Pakistan Television top performing artist and now stay Nauman Ijaz. Mazaaq Raat is clone project of Khabarnaak of GEO News.

Nauman Ijaz was first time seen as grapple of TV.

Mazaq Raat is an amusing political satire show introduced by Dunya News. Mazaq Raat is host by Pakistan Television top performing artist and now stay Nauman Ijaz. Mazaaq Raat is clone project of Khabarnaak of GEO News.

Nauman Ijaz was first time seen as grapple of TV.

Generally we are simply acquainted with characters and demonstrated two distinct family units with altogether different arrangement of qualities and tenets. Hamza (Adnan) is an exceptionally develop and grounded man, resolved to assist his family from the monetary emergency they are in. Hania (Armeena) then again doesn't have any such issue. They appear to be extremely well to do and each and every individual alludes to themselves as *hum*. I didn't know individuals still talk like that. Her father appears to have not a lot to do aside from taking care of the prosperity of his wife and girl and setting them up crisp beverages in the morning. Another eye opener that men like despite everything him exist.

A crisp breath was the way Saba Faisal was so natural on her girl in law as well; doesn't worry about her sitting in front of the TV as opposed to cooking. An altogether different situation from normal dramatizations. So happy about it.

Hania's companion Noor ul Ain is Hamza's more youthful sister and the careful inverse of Hania. While we saw Hania all over like on the trees, in the recreation center, on the rooftop, at her companion's patio, Ainaa is discovered either in the kitchen or somewhere else in the house cleaning.

In spite of every one of these distinctions, Hania is all that much charmed by Hamza who is slightest made a fuss over this. He needs a developed, sensible, mindful and homemaking lady, none of which can be said in regards to Hania so we can rightfully anticipate the inconvenience that is impending both their routes as the play will unfold.

Generally we are simply acquainted with characters and demonstrated two distinct family units with altogether different arrangement of qualities and tenets. Hamza (Adnan) is an exceptionally develop and grounded man, resolved to assist his family from the monetary emergency they are in. Hania (Armeena) then again doesn't have any such issue. They appear to be extremely well to do and each and every individual alludes to themselves as *hum*. I didn't know individuals still talk like that. Her father appears to have not a lot to do aside from taking care of the prosperity of his wife and girl and setting them up crisp beverages in the morning. Another eye opener that men like despite everything him exist.

A crisp breath was the way Saba Faisal was so natural on her girl in law as well; doesn't worry about her sitting in front of the TV as opposed to cooking. An altogether different situation from normal dramatizations. So happy about it.

Hania's companion Noor ul Ain is Hamza's more youthful sister and the careful inverse of Hania. While we saw Hania all over like on the trees, in the recreation center, on the rooftop, at her companion's patio, Ainaa is discovered either in the kitchen or somewhere else in the house cleaning.

In spite of every one of these distinctions, Hania is all that much charmed by Hamza who is slightest made a fuss over this. He needs a developed, sensible, mindful and homemaking lady, none of which can be said in regards to Hania so we can rightfully anticipate the inconvenience that is impending both their routes as the play will unfold.

Aliya is the most sad young lady on this planet.. Only one night prior to she was getting hitched; a few robbers went into her home and victimized everything; her joy, soul, pride and her entitlement to be alive. Regardless of the fact that Aliya's guardians would have acknowledged and upheld her; this general public wouldn't have!!

Mustafa is Aliya's specialist, he is attempting his best to take her out from where she is been covered alive and he will bolster her till the end. Shayan is Mustafa's more youthful sibling and he adores Aliya a great deal, he is exceptionally possessive about her he can do anything to make her his own. Aliya's closest companion Sonia was with her in the same house that night; she was there to commend their companionship on her last wedding night yet.. like her, after that episode no one believed her.. they were announced as debased elements and their just blame is that they are ladies.

Sonia's guardians think this was her discipline on the grounds that little girls are not assume to live with flexibility and when they decide to live unreservedly such occurrence happens..! In spite of the fact that Asad acknowledged her as his wife after that occurrence however neglected to trust her and from that point forward they are looking for their joy, for their self-regard, for motivation to grin and in particular for their entitlement to live.

Aliya is the most sad young lady on this planet.. Only one night prior to she was getting hitched; a few robbers went into her home and victimized everything; her joy, soul, pride and her entitlement to be alive. Regardless of the fact that Aliya's guardians would have acknowledged and upheld her; this general public wouldn't have!!

Mustafa is Aliya's specialist, he is attempting his best to take her out from where she is been covered alive and he will bolster her till the end. Shayan is Mustafa's more youthful sibling and he adores Aliya a great deal, he is exceptionally possessive about her he can do anything to make her his own. Aliya's closest companion Sonia was with her in the same house that night; she was there to commend their companionship on her last wedding night yet.. like her, after that episode no one believed her.. they were announced as debased elements and their just blame is that they are ladies.

Sonia's guardians think this was her discipline on the grounds that little girls are not assume to live with flexibility and when they decide to live unreservedly such occurrence happens..! In spite of the fact that Asad acknowledged her as his wife after that occurrence however neglected to trust her and from that point forward they are looking for their joy, for their self-regard, for motivation to grin and in particular for their entitlement to live.

Dil Ka Kya Rung Karun is a Dil Ka Kya Rung Karun taking into account the life of Dil Ka Kya Rung Karun, a young lady fitting in with a lower-working class family and, considering in school she is regularly looked down upon her guardians which focus on the training of their child who they wish to turn into a specialist. Dil Ka Kya Rung Karun is likewise an extremely gifted young lady who is dead set to do well in life. She is a saved untouchable in her family who is continually longing for her future achievement and solidly puts stock in the platitude "whatever your bound to get you will get" (deciphered into English) she is dependably the person who is essentially firm in accepting that one day she will succeed in her definitive objective. Dil Ka Kya Rung Karun family is experiencing fiscally troublesome times, and she tries to turn into a Dil Ka Kya Rung Karun under the pseudonym, she is extremely decided in turning into one experiencing restless evenings with a specific end goal to fulfill her fantasy in turning into a Dil Ka Kya Rung Karun. Her family is incredulous of her composition particularly her dad who always reprimands her for utilizing power as a part of the night to compose however does not impact. her in her yearnings and she proceeds with it notwithstanding. Her fundamental need first is to procure enough cash to reserve her family in their monetary emergency her guardians then begin to like her and open up to her all the more as she is helping her crew. She later on becomes a close acquaintance with a broker, Ahmed who respects her aptitudes,  however a few issues emerge in their relationship. Her guardians wish to marry her to her cousin. Who is acting like a quiet and a decent significant other of her. Her dad drives her to wed and late on figures out that he committed a loathsome error and devastated his little girl's life as his sister and her child are provoking. Days pass by and Dil Ka Kya Rung Karun  discovers she is having an infant. At the point when the infant is conceived, her auntie is in wonder. She needed a kid and wound up knowing she had a young lady. Her auntie needs to name the infant after her mother, Surraiya. Later on,  a major inconvenience hits the gang.

Dil Ka Kya Rung Karun is a Dil Ka Kya Rung Karun taking into account the life of Dil Ka Kya Rung Karun, a young lady fitting in with a lower-working class family and, considering in school she is regularly looked down upon her guardians which focus on the training of their child who they wish to turn into a specialist. Dil Ka Kya Rung Karun is likewise an extremely gifted young lady who is dead set to do well in life. She is a saved untouchable in her family who is continually longing for her future achievement and solidly puts stock in the platitude "whatever your bound to get you will get" (deciphered into English) she is dependably the person who is essentially firm in accepting that one day she will succeed in her definitive objective. Dil Ka Kya Rung Karun family is experiencing fiscally troublesome times, and she tries to turn into a Dil Ka Kya Rung Karun under the pseudonym, she is extremely decided in turning into one experiencing restless evenings with a specific end goal to fulfill her fantasy in turning into a Dil Ka Kya Rung Karun. Her family is incredulous of her composition particularly her dad who always reprimands her for utilizing power as a part of the night to compose however does not impact. her in her yearnings and she proceeds with it notwithstanding. Her fundamental need first is to procure enough cash to reserve her family in their monetary emergency her guardians then begin to like her and open up to her all the more as she is helping her crew. She later on becomes a close acquaintance with a broker, Ahmed who respects her aptitudes,  however a few issues emerge in their relationship. Her guardians wish to marry her to her cousin. Who is acting like a quiet and a decent significant other of her. Her dad drives her to wed and late on figures out that he committed a loathsome error and devastated his little girl's life as his sister and her child are provoking. Days pass by and Dil Ka Kya Rung Karun  discovers she is having an infant. At the point when the infant is conceived, her auntie is in wonder. She needed a kid and wound up knowing she had a young lady. Her auntie needs to name the infant after her mother, Surraiya. Later on,  a major inconvenience hits the gang.